
Parsifal
Palais Theatre, St Kilda
20 Feb 2019
- 24 Feb 2019

Palais Theatre, St Kilda
20 Feb 2019
- 24 Feb 2019
NEW PRODUCTION - OPERA IN THREE ACTS
Immerse yourself in the legend of the Holy Grail and the knights who protect it, and witness the most beautiful quest for redemption in the literature of opera.
From the prelude of Parsifal onwards, you will be mesmerised by music of sacred dimensions; a testament to the mystical power of harmony. Wagner traversed unknown territories of musical writing with his mythical odyssey, shaping an incomparable world that enthralled composers as diverse as Sibelius, Mahler and Debussy, and later inspired major film score composers.
For this exceptional event, we welcome some of the world’s greatest Wagnerian singers; mezzo-soprano Katarina Dalayman and bass Peter Rose join internationally revered Melbourne baritone Derek Welton, who was acclaimed for his performance of Klingsor at the 2018 Bayreuth festival.
Director Roger Hodgman guides this new, modern production with poetry and simplicity, following the prophesied odyssey of Parsifal from blasphemer to saviour.
After their celebrated performance in The Flying Dutchman, the Australian Youth Orchestra (AYO) returns with their typical vigour and vitality under the baton of the intrepid Richard Mills.
Palais Theatre, St Kilda
Wednesday 20 February, 4:30pm
Friday 22 February, 4:30pm
Sunday 24 February, 3:00pm
Sung in German with English surtitles
Running time is approximately 4 hours, plus one dinner break and one interval.
Act One – 1 hour 45 minutes
Dinner Break – 1 hour 30 minutes
Act Two - 1 hour 5 minutes
Interval – 20 minutes
Act Three – 1 hour 15 minutes
Dinner break is 6:15pm – 7:45pm on weekdays and 4:45pm – 6:15pm on Sunday. The performance will end at approximately 10:25pm on weekdays and 8:55pm on Sunday.
Explore dining options near Palais Theatre
Patrons' Interval Drinks Friday 22 February
Price reserve maps for this production can be found on our Venue Information page.
Entrusted to watch over the Holy Grail and Holy Spear, Titurel gathered a brotherhood of noble knights to help him protect these sacred relics. Each time the Grail is unveiled in a ritual ceremony, it nourishes the knights and extends their mortality.
Klingsor, a former knight rejected by the brotherhood, turned to black magic and created a garden of desire filled with enchanting Flower Maidens to lure the knights and destroy them. When fiery Amfortas, the son of ageing Titurel, attempted to defeat Klingsor he was seduced by Kundry, a shape-shifting seductress working under Klingsor’s spell. While Amfortas was distracted, Klingsor stole the Holy Spear and pierced Amfortas' side, inflicting an incurable wound.
Amfortas now awaits ‘an innocent fool, enlightened by compassion’ who, according to a prophecy, is the only one that can cure him.
In the forest by a lake where Amfortas bathes, the knights encounter a naive boy called Parsifal who impetuously shoots a swan without understanding the consequences of his actions. The old knight Gurnemanz suspects Parsifal could be the saviour they have been waiting for. But first Parsifal will need to undergo a series of trials and tribulations to learn the true value of compassion, including a soul-searing encounter with the sorceress of the eternal feminine, Kundry, in Klingsor’s magic castle.
With his music for Parsifal, Wagner created an extraordinary universe of sound to express his spiritual, philosophical and dramatic ideas. The music is magnificent and entrancing, moving from solemn and sacred (for example, the procession in the Grail Hall in Act I) to luscious and sensual (for example, the Act II seduction), and with moments of otherworldly beauty (including the Act III ‘Good Friday’ scene).
Wagner transcended traditional operatic forms by creating a unique style of continuously flowing music and building on his use of leitmotifs, opening the door to a new form of musical expression. With his swan song, Wagner had mastered the ability of music to express what words themselves cannot and to transform the audiences who experience it.
Music recording courtesy of ABC Classic and Melbourne Symphony Orchestra, conducted by Markus Stenz at Arts Centre Melbourne, Hamer Hall.
Composer and Librettist Richard Wagner
Conductor Richard Mills
Associate Conductor Daniel Carter
Director Roger Hodgman
Set Designer Richard Roberts
Costume Designer Christina Smith
Lighting Designer Matt Scott
Assistant Director Brock Roberts
Choreographer Elizabeth Hill
Parsifal Burkhard Fritz
Kundry Katarina Dalayman
Gurnemanz Peter Rose
Amfortas James Roser
Klingsor* Derek Welton
Titurel Teddy Tahu Rhodes
Ensemble featuring:
Carlos E. Bárcenas, Shakira Dugan, Stephen Marsh, Kathryn Radcliffe, Georgia Wilkinson, Timothy Reynolds, Paul Biencourt, Rebecca Rashleigh, Emily Uhlrich, Juel Riggall, Heather Fletcher, Victorian Opera Chorus, Victorian Opera Youth Chorus Ensemble (VOYCE) and Students from the University of Melbourne.
Australian Youth Orchestra (AYO)
*The Richard Wagner Society Inc (Vic) is supporting the role of Klingsor.
“★★★★★ This was one of most compelling Parsifals I have experienced.”
“★★★★ 1/2 Victorian Opera’s production of Wagner’s final work is musically excellent, and perceptively designed and directed.”
“Boldly going where few Australian companies have ventured, Victorian Opera’s Parsifal is a superb distillation of the work’s essence”