Pelleas and Melisande
11 Oct 2018 - 13 Oct 2018
11 Oct 2018 - 13 Oct 2018
When Golaud finds Melisande in the woods, alone and with a mysterious past, he claims her as his wife. After she meets his brother Pelleas, a secret love simmers between them while Golaud’s suspicions deepen. A family slowly corrodes as their tragic fates inevitably take hold.
Discover the haunting beauty of Pelleas and Melisande, the only opera from Claude Debussy. This symbolist masterpiece fuses text, ethereal harmonies and floating instrumental colour with an atmospheric poetry unlike any other work.
Hear the crystalline purity of Australian soprano Siobhan Stagg alongside celebrated tenor Angus Wood, in Debussy’s mesmerising opera.
Thursday 11 October 7:30pm
Saturday 13 October 7:30pm
Running time is approximately 2 hours and 30 minutes, plus interval.
Sung in French with English surtitles.
Patrons' Pre-show Drinks Thursday 11 October
Price reserve maps for this performance can be found on our Venue Information page.
Please note that the Audio Description and Tactile Tour for Saturday 13 October will not be going ahead as planned.
In the mythical kingdom of Allemonde, King Arkel’s grandson, Golaud, is lost in the forest when he comes upon a young lady weeping at a fountain. She cannot or will not reveal anything of her past, but Golaud manages to draw out her name – Melisande – and persuades her to follow him out of the dark woods.
Golaud returns to his grandfather’s gloomy castle with the mysterious Melisande, to whom he has been married for six months. Golaud’s half-brother, Pelleas, shows her around the castle grounds and Melisande is attracted by water in a well. She is mesmerised by her own reflection and accidentally drops her wedding ring into the depths. At the same moment, Golaud is thrown from his horse. Sitting by her husband’s bedside, Melisande confesses her persistent feelings of foreboding and as Golaud comforts her, he notices her missing ring. Angrily, he sends her out into the night to look for it with Pelleas.
Pelleas is making plans to leave the castle to visit a sick friend when he comes upon Melisande combing her hair in the window of a tower. He can’t reach her hand to kiss it but as she leans through the window her hair drapes over him, stirring feelings inside him.
Passion simmers between Pelleas and Melisande as jealous rage slowly consumes Golaud. Can the family survive this torrid love triangle?
Debussy’s only opera is a work of uncanny beauty, subtle nuances and deep orchestral colour. The dark and unsettling yet seductive music creates a portentous atmosphere and reflects the story’s ambiguity and Symbolist origins. Dreamy orchestral interludes connect the 15 scenes into a continuous flow of music.
One of the most superb settings of the French language, it is sung mainly in recitative, maintaining the rhythms of natural speech. Leitmotifs for each principal character help express their psychological states and inner lives.
Defying Italian operatic traditions and the dramatic music of Wagner, Debussy created an opera that was highly original in its time and has had few imitators. Devoid of traditional arias or grandiose expressions of feelings, Pelleas and Melisande requires audience members to put aside preconceived notions of what typically defines opera and connect with the music in a more subconscious way.
Composer Claude Debussy
Librettist Maurice Maeterlinck
Conductor Richard Mills
Director Elizabeth Hill
Set and Costume Design Candice MacAllister
Lighting Design Joseph Mercurio
Golaud Samuel Dundas
Pelleas Angus Wood
Arkel David Parkin
Melisande Siobhan Stagg
Genevieve Liane Keegan
Yniold Sophia Wasley
Shepherd/Doctor Stephen Marsh
Siobhan Stagg’s appearance is generously supported by Siobhan Lenihan.
|30 Years & Under||NA||NA||$35||$35|
Prices are correct at time of publishing and may vary.
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Australian National Academy of Music (ANAM)